
Art setting February 1, 2026. Rose Bowl Flea Market. Noble way: people must risk everything to get somewhere. Artist biggest inspiration. Loves to paint after midnight, the artist knew he wanted a wide sphere of light — He found his round cylindrical bulb. He dreams of the 2028 Silver Lion (Leone d’Argento) at the Venice Biennale Arte. He wears vintage 1988 shirt and khaki pants from Sears. Lamp: 1966 Gray Medusaby Luigi Massoni. Author: Fantasy genre publishing, Virginia Roth, Light your life.
Here - the artist enters with the lamp as in: Balzac’s The Unknown Masterpiece. The patron’s support intensifies the artist’s isolation and fixation on perfection. In the end, the revelation of the work destroys both the illusion of genius and the artist himself. Bon voyage. The bulb shines for you alone—dip the brush into the palette of one who has arrived. ©
“Jeffrey Deitch dedicated THE BEING its own colossal screening room: a 30 × 40 ft vertical screen, shimmering at an estimated 12K, celebrating Marco Perego’s audacious originality. The space pulses with puffs of petrichor—the raw, earthy scent of rain striking dry earth—drawing viewers deep into the artwork’s living atmosphere.” “Mr. Deitch knows “how to entice the art crowd.” © He installed a ‘Curved Shell Loveseats.’ As moments on the screen exploded with white light—like a sudden light bulb illuminating the room—you could see art lovers on the curved seats, couples magnetized by the images, clutching hands in ecstatic anticipation of the unknown yet to come.”
“As thunderous music with deep, escalating tones broke through, interrupted by brief silence, Philip Glass–like disharmonious instruments formed a memorable jazz symphony where everything goes. Colors grew bright and intimate in the pupillary light reflex.”
“Marco Perego propels us well beyond NASA’s limits. We hop aboard his Hypernova Transit.” We streak past the Milky Way, brush gods of Nebulae, slice through the Dark Matter Halo. Whirlpool Galaxy glows with blue spirals and pink star nurseries; Cartwheel Galaxy ripples from collision. Every light, every color surges around us—we are voyagers weightless in a living universe.” “The Being,” at Jeffrey Deitch Gallery 7000 Santa Monica Blvd. February 20–April 4, 2026. For laarttv, Julian Schultz AP. London.
Art Note: The artist has been previewed at: Andy Warhol Museum, the Hammer Museum, and the Pinault Collection, and in exhibitions at venues such as the Maccarone Gallery (New York/Los Angeles), the Rennie Museum (Vancouver), and the Centre Pompidou-Metz. His 2025. Marco Perego he is known for his expressive, transformative visual art and for directing the feature film The Absence of Eden.


“Art of Nature,” by Italian Artist Signor Marco Perego at Jefrey Deitch Gallery. The visual of a “Living Moss’: the green canvas is a ground, not a picture. This Arte Povera, process-based mixed-media work lets organic material, growth, and time complete the composition.”
“As the image breathes life, Marco Perego inspires reflection in this art performance, where his interpretation takes us. Following his guidance, we step into Antonio Fontanesi’s Italian romantic painter’s Aprile (Sulle rive del lago del Bourget), removing our shoes as if walking in the artist’s steps onto soft moss. Echoing William Blake’s visionary Songs of Innocence, poem verse, “these moss, soft landscapes evoke purity, renewal, and mystical journey—the path read by Italians as amor pensato, contemplated love.” You want to be here.
For all his public fascination with surfaces, celebrity, and repetition, Andy Warhol maintained a private devotional life that unfolded quietly in Manhattan, NY. He regularly attended St. Vincent Ferrer Church, choosing a side aisle and lining for a vanilla-flavored communion, gestures that suggest both ritual precision and personal comfort. His mother, Maria Zavacka, remained in Pittsburgh, yet their frequent conversations returned again and again to faith, churchgoing, and spiritual routine.
Warhol’s religious practice extended beyond attendance. Each year, he visited the Church of the Heavenly Rest on the Upper East Side for Christmas and Thanksgiving services drawn from the Book of Common Prayer. There, he volunteered in meal programs for the underprivileged, performing acts of service largely unseen by the public eye. It was within this understated setting that Paige Powell photographed Warhol—not as icon, but as participant.
Powell’s images, made with small, unobtrusive 35mm cameras and occasionally marked by double, or three exposures, resist spectacle. Instead, they offer proximity: moments of stillness, duty, and quiet generosity. Published during Warhol’s lifetime in Interview and later in major newspapers and books, including The Andy Warhol Diaries, these photographs form a visual counterpoint to the artist’s public mythology.
Private Andy: Religious Services reframes Warhol through devotion rather than performance, revealing a life shaped as much by liturgy and service as by art, fame, and repetition. Host delivers sharp intellectual style in a Packable Shell by Marc Jacobs—fashion with wit. ©
Riding the Harley Sportster XLH to Andy’s show—who holds on tight?
Through Today’s Question of Art & Desire,© the interviewee experience ego elevation, heightened self-awareness, and social equality, producing mental benefit and eustress-induced psychological uplift—a unique art-therapy moment rivaling a therapist’s office.”
Host: Oliver Kabilka / L.A. Adonis, for La Art TV. see laarttv 25/8 video/article - section.

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