About I.

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For your birthday, he will present you with a creative dessert. Amaou strawberries studded with Tiffany quality gems. https://www.latimes.com/archives/la-xpm-1988-10-16-ca-6710-story.html

1990 The Golden Osar (art performance). Eating gold cake is like attending an art food performance in Ulysses, a new experience you will never forget. Symbolic of James Joyce: “but always meeting ourselves,” for a new life awaiting experience.

$10,000 edible marzipan statue academy award of shining 23 karat gold armor coating, 75 pounds of fresh mango, and black chestnut decadence. Art imitates art: Since then, Wolfgang Puck (chef) placed a 4-inch-tall gold Oscar cookie on each dessert plate at the governor’s ball. 

In 1991, Kris surprised couples with a crepe and flambé dessert under Christo’s yellow umbrellas creating a Sunday brunch art performance (Tejon Ranch, CA, 26 million art show). Click on the video above on the left.

Christo visited Kafe Kafka and together with Kris, devised an idea for a Harley Davidson race through the restaurant art performance. A lot of work would be involved. LA. Permits must be issued by the city. The intersection of Sunset Blvd. and Gower St. will be closed. A total of eight aluminum triangles with various Harley Davidson models will be erected. These Hog/hawg are to be held at the top by a 14K gold-plated steel belt.  https://www.latimes.com/archives/la-xpm-1993-04-25-vw-26959-story.html This art grace permit was denied by the city. Accordingly for the Harley race to proceed, Kris cleared the tables at the restaurant on Sunday, April 25, 1993. A wall was removed to allow the race to proceed. The winner eats the gold cake. As a piece dropped onto Harley's gas tank ending on the floor. The schnauzer-German-breed dog finished the cake rather quickly. Giving a smiling bite impression. It's amazing, now I eat heavenly food as a piece of gold adhered to his K9. 

LaArtTV currently provides artists with the unique opportunity to advance their artistic careers. This initiative aims to elevate artists' status and visibility. For example: eight years ago, LaArtTV hosted an art performance in Germany where an artist worked daily in a 14x16 meter red-painted brick house. Access to the roof was via a narrow ladder made of prison bars once belonging to Peter Kurten, infamously known as the Vampire of Dusseldorf. Despite the unconventional setting, the artist persevered, receiving two buckets of water daily for washing and painting under the illumination of a 200W bulb. A video monitor broadcasted the artist's process inside the "Art Crypt," © attracting hundreds of visitors who even proposed marriage. This event underscores the public's fascination with LaArtTV's unconventional art performances, generating discussions and publicity for the artist. The artist's newfound popularity led to the sale of all their paintings, and their family was liberated from financial constraints.  The conduct of the work manner of execution is ©™ . It's important to note that while LaArtTV cannot guarantee specific outcomes, its initiatives emulate the unpredictability inherent in the art market. However, standing out is what counts only, is the motivation! (Andy Warhol).

You can find job announcements on our art jobs page. It's all about exposure, says Andy Warhol (Marketing Motive). The show's vernissage opening is LAArtTV's one of the opportunities to integrate individual communications (interviews) with people involved in the "backstage of the art world."© 

In serving the public interest, the media captures mainstream experiences and opinions. Copyright Act of 2000 protects all spoken and visual recordings of interviews, meetings, and other communication. 

Finds from LAArtTV PR.  Media Matters. The last six years have seen LAArtTV interview hundreds of people. In between, visitors were asked specific questions about a variety of topics. What motivates them to walk through the gallery door? The marketing research records of galleries indicate that very little data are collected. Generally, gallerists forget to investigate who stepped over the threshold of the vernissage.

As indicated by the experience, the gallerist faces PR disadvantages. Why? Because public perception is not what's relevant. With a red brush stroke, some art cognoscenti pretenders, come to imbibe on a free wine to court a cheap date. Therefore, give them more extravaganza. They won't be able to top this story unless they remember. During the gallery's opening, there is a great chance they will not forget the moment they made love in the gallery's art storage room.  

The art business in general: One gallerist recently said: When you sell a painting for 10k, you don't need many gallery visitors. Lifestyle never remains the same. A prophecy says, "Success sits on a mountain of mistakes." Gallery and private sellers, those who sell art to collectors, make most of the art sales. A term defined by auctions and art exchanges, according to Michael Schnayerson's excellent book, Boom. “Mad Money, Mega Dealers, and the Rise of Contemporary Art.” 

Let's look at some statistics. What is the percentage of US artists who make a living as artists' painters? BFA MFA Ph.D. reports 1.4 million working artists in the US, or people who work primarily with art for a living. This is down 7% from 1.4million last year. The median income for this group is $30,621. It is however true that there are some artists who make over $100 million a year. There are times when artists are required to pay a gallery fee to exhibit their artwork. 

Art style and culture. The xdrt gathered by LAArtTVdata (not related to interviews) are quite valuable for gallerists, and art marketers. The majority of galleries do not provide their artists with a public relations program (due to the expense) beyond the gallery vernissage. In preparation for gallery exhibitions, individual PR plays an imperative role in raising the market value of a specific artist. (Data: Laarttv for Rand Corporation). In some cases, visionary gallery staff devises a marketing extravaganza to give art enthusiasts a "very new human experience." Gallery shows are intertwined with creative concepts. It is especially art performances that attract would-be new collectors.

Drawing persons in is this idea task. Some of the most successful art openings generate hip press coverage. Being styled (choreographed) by associates of known designers and photographers, filmmakers such as Mario Testino, Bureau de Betak, and others.  Andy Warhol wit. Was to publish [HIS] own magazine, Interview, catapulting him into the art world stardom. Frieze Magazine conducts unique art shows. People are drawn to this idea by its ability to draw them in. 

In terms of art magazines, Gagosian Magazine is one of the newest. It is obvious that all noted publications have changed their marketing strategy. Simply printing a magazine is insufficient. It's because. The only thing that counts is standing out from the crowd. (Andy Warhol)

Editorial note: About LAArtTV.com’s findings are rigorously researched and based only on evidence and verified sources.

LAArtTV is accredited by Media News USA, EJ Europe, linked to (DPA Germany), systemizes contracts with AP journalists' group, and provides art content to Reuters.